| Canterbury Scene | Crossover Prog | Eclectic Prog | Extreme Prog Metal | Folk Rock | Heavy Prog | Jazz-Rock Fusion | Krautrock | Neo Prog | NON PROG | Northern Prog | Post Metal | Post Rock | Prog Related | Progressive Electronic | Progressive Metal | Psychedelic Rock | Rock Progressivo Italiano | Space Rock | Symphonic Rock | Zeuhl |

Progressive Rock World


facebook
youtube
whatsapp
whatsapp image 2025-09-14 at 16.42.25.jpeg
img_8369

646 Reviews - 363 Artists - 85 Detailed biographical profiles - 26 Prog Meteors -  22 Progressive Rock Subgenres

Tago Mago by CAN

11-10-2025 15:00

FrancescoProg

Kosmische Musik Krautrock, EXCELLENT, Seventies Albums, can,

Tago Mago by CAN

Tago Mago, CAN's third album, from 1971, top-notch Krautrock, the first with Damo Suzuki officially on vocals after Malcolm Mooney's departure.

img_1545.jpeg

Tago Mago, CAN's third album, from 1971, is top-notch Krautrock, the first to officially feature Damo Suzuki on vocals after Malcolm Mooney's departure in 1970. It's a CAN masterpiece, their most extreme work.

 

It is also a representative album of "musique concrète," based on pre-existing sounds and their manipulation for compositional purposes, the first "school" of electronic music, for "listening to sound in all its aspects: attack, duration, envelope, density of sound mass, progression, timbre, frequency, amplitude, etc."

 

CAN is an acronym for "Communism, Anarchism, Nihilism," which is why it is always capitalized.

 

It is a masterpiece of pioneering psychedelic and experimental rock, a fusion of funk, avant-garde, and electronica. It is an at times shocking album that laid the foundations for modern experimental music and stands as a masterpiece of krautrock, a challenging blend expressed through unconventional musical structures.

 

The album is pervaded by a hallucinatory atmosphere, with a style sometimes described as "shamanic avant-funk," featuring great avant-garde improvisations. Many of the atmospheres are created by powerful grooves. Hypnotic and chaotic experimental moments.

 

Some notes on the tracks

- "Paperhouse," a seminal track with a hypnotic and primal atmosphere.

- "Mushroom" has a driving and repetitive rhythm, with Jaki Liebezeit's immense drums taking center stage.
- "Oh Yeah," characterized by frenetic rhythms, overwhelming, at times shocking and disturbing.

- "Halleluhwah," a beautiful 18-minute pico track, the album's masterpiece in my opinion, with a hypnotic and insistent groove, marvelous.
- "Aumgn," characterized by noises and tinkling, surreal and divisive.

- "Peking O," an experimental track with massive percussion and a tense atmosphere.
- "Bring Me Coffee or Tea," a disturbing and emotional track with a melancholic atmosphere and powerful instrumentals.

 

CAN's music is total and free, hallucinatory and chaotic, and this album is the physical representation of it, an absolute must-listen, a must-have for your collection.

Tracklist

1. Paperhouse (7:29)
 2. Mushroom (4:08)
 3. Oh Yeah (7:22)
 4. Halleluhwah (18:32)
 5. Aumgn (17:22)
 6. Peking O (11:35)
7. Bring Me Coffee or Tea (6:47)
Duration 73:15

LineUp

- Damo Suzuki - vocals
- Michael Karoli - guitar, violin
- Irmin Schmidt - organ, electric piano, vocals (5)
- Holger Czukay - bass
- Jaki Liebezeit - drums, double bass, piano

Note: All links to the musicians' works are in the TAGS under the article title or on the "Artists" page

img_1545.jpegimg_1547.jpegimg_1553.jpegimg_1548.jpegimg_1550.jpegimg_1549.jpeg
img_1546.jpegimg_1551.jpeg
img_1555.jpeg