Lunatic Soul, self-titled debut album, from 2008.
While waiting for the release of the new album Transition II, let’s retrace the story of this project starting from the debut album.
On Progressive Rock World I have already talked about the Lunatic Soul project by Mariusz Duda in the review of the album The World Under Unsun (2025), a truly remarkable record, a perfect example of modern progressive, with a sound that blends ambient, electronics and folk in an intimate and experimental way, creating dark and hypnotic atmospheres.
Lunatic Soul’s self-titled debut album marks the start of Mariusz Duda’s solo project, the frontman and bassist of the Polish progressive band Riverside, who in June 2008 felt the need to create a different musical project, far from the typical sound of a rock band. He didn’t want to leave Riverside, but he wanted to explore a more intimate and experimental side of his music, and that’s how Lunatic Soul was born.
Before Mariusz Duda launched his solo project Lunatic Soul, he had already recorded three studio albums with Riverside, albums that form the band’s famous early conceptual trilogy, known as the “Reality Dream Trilogy”. These are three absolute masterpieces:
Out of Myself (2003) – The debut album.
Second Life Syndrome (2005) – The second album.
Rapid Eye Movement (2007) – The last album of the trilogy, released a year before Lunatic Soul.
Duda’s new project moves away from the classic dynamics of a rock band and distorted electric guitars, blending progressive rock, ambient, electronic music, dark folk and ethnic influences. All Lunatic Soul music is part of an epic conceptual saga called “The Circle of Life and Death” (The Circle of Life and Death). This saga unfolds across eight studio albums, telling the spiritual and transcendental journey of a solitary artist-traveler between the world of the living and the afterlife.
The project began with the self-titled album, also known as The Black Album. Next, in 2010, Lunatic Soul II came out, or The White Album. These two records defined the project’s sound: no electric guitars, but lots of percussion, flutes and hypnotic keyboards. In 2011 came Impressions, an almost entirely instrumental album with ambient tracks perfect as a soundtrack and to complete the first two albums.
After a three-year break, in 2014 Walking on a Flashlight Beam was released, a dark album about deep loneliness and voluntary isolation. In 2017 came Fractured, the most electronic and accessible album up to that point, influenced by major losses suffered by Duda, including the death of Riverside guitarist Piotr Grudziński. The songs that didn’t make it onto this album became Under the Fragmented Sky (2018), a dreamy and experimental record.
In 2020 Duda completely changed direction with Through Shaded Woods. The album dropped the dark electronics for a ritual, shamanic and Slavic folk sound, inspired by Poland’s woods and nature.
The journey ends in October 2025 with the double album The World Under Unsun. This eighth record closes the story of the Circle of Life and Death and speaks of the personal torments and contrasts that led Duda to leave Riverside.
Mariusz Duda decided to say goodbye to Riverside after 25 years together, due to internal tensions that kept him from fully living his passion for music and what he perceived as an atmosphere of falseness hanging over the band.
The records released with Riverside during this period of artistic collaboration are all of the highest level. Here they are:
Anno Domini High Definition (2009)
Shrine of New Generation Slaves (2013)
Love, Fear and the Time Machine (2015)
Wasteland (2018)
ID.Entity (2023) – The last studio album recorded with the band
The announcement, which came in April 2026, left its mark on the European progressive rock scene.
Through his socials, Duda explained the reasons for this difficult choice: he could no longer pursue his dream of creating new music freely. He admitted he was tired of “pretending and showing an image of a happy, carefree band”, which didn’t reflect reality or internal relationships at all.
The media spoke of strong friction, especially between Duda and drummer Piotr “Peter” Kozieradzki, to the point of influencing the lyrics of the latest Lunatic Soul album and in particular the farewell song “The New End”.
Duda clarified that he is on good terms with most of the members, but he ruled out Riverside continuing, either with the current lineup or with new members, thus closing the chapter. From now on, he will devote himself completely to his solo project Lunatic Soul and his other electronic experiments.
Released on October 13, 2008 via Kscope, the album “Lunatic Soul” moves away from Riverside’s metal/rock to explore more intimate and electronic sounds.
Recorded and mastered between January and July 2008 at Serakos Studio in Warsaw, the album is unique in its kind for the total absence of electric guitars. Duda chose a more acoustic and ethnic approach, using instruments such as acoustic guitars, piano, keyboards, percussion, flutes and Hammond organ. To enrich the sound, he collaborated with musicians such as Michał Łapaj (Riverside), in his only appearance with Lunatic Soul, and Wawrzyniec Dramowicz (Indukti).
This first album is the first chapter of a story about the Circle of Life and Death (The Circle of Life and Death). It tells the adventures of a solitary artist-traveler between life and the afterlife through oriental, ambient and dark folk atmospheres.
“Prebirth” opens with an Ambient atmosphere, full of intriguing noises. The intro is short and mysterious, with breaths, filtered heartbeats and electronic effects. The opening heartbeat fading into darkness is truly beautiful.
“The New Beginning” is a Dark, ambient and acoustic-style track, marking the real start of the record. Hypnotic acoustic guitars intertwine with Duda’s singing, creating a magical atmosphere. The piece grows gradually, enriched by analog synths and a warm, pulsing bass. The entrance of the vocal melody is great, melancholic and enveloping.
“Out on a Limb” is a fascinating mix of post-rock and psychedelia with oriental influences. The ethnic percussion stands out, creating a Middle Eastern atmosphere with odd time signatures and dramatic keyboards that evoke a sense of disorientation. The interplay between acoustic percussion and an electronic loop in the background is truly remarkable.
“Summerland” is an atmospheric ballad, one of the album’s most melodic and emotional moments. Duda’s voice is clean, clear and dreamy, while the keyboards paint an endless landscape, just like the “Summerland” of the title. The chorus is heartbreaking and sticks with you from the first listen.
“Lunatic Soul”, the title track, is a miniature prog suite with an ethnic accent and an ambient gait. It starts with a monumental bass line, typical of Duda, and unfolds through shamanic vocalizations and instrumental layers that culminate in a driving finale. The central bass riff is extremely powerful.
“Where the Darkness is Deepest” is an instrumental track with a dark, ambient sound. Industrial samples blend with dense keyboards, creating a spectral atmosphere worthy of a horror soundtrack.
“Near Life Experience” is a rhythmic track, full of avant-garde electronics and tribal sound without losing its prog connotation, driven by pounding percussion and a masterful use of sampled choirs. It has an almost ritualistic pace, simulating the soul’s attempt to cling to memories of earthly life.
“Adrift” is an acoustic, folk piece, simple and delicate, an intimate ballad, with the acoustic guitar taking the lead and a voice that reveals itself in all its vulnerability. It’s a moment of pause, a deep breath before the grand finale. Mariusz Duda’s voice is simply stunning, with a very moving interpretive purity.
Then comes “The Final Truth”, an epic piece lasting over 7 minutes. It’s the album’s longest and most complex track, a true journey that contains the whole record: the powerful groove of the distorted bass, the percussion that feels like a sacred rite, the desperate melodies and the spacey synths. It is the final acceptance of one’s otherworldly condition, a moment of deep awareness. In the central instrumental section, the synthesizers create an emotional, overwhelming climax.
Finally, “Waiting for the Dawn”, a 55-second ambient piece that closes the album. A few seconds of soft keyboards and white noise that leave a sense of peace and anticipation. Beautiful is the final fade into absolute silence, an ending that closes the circle of the concept.
Lunatic Soul’s debut is a deep, introspective concept album that takes you on a fascinating journey through the soul after death. Duda and Robert Srzednicki create almost claustrophobic sound spaces in which the decision to exclude the electric guitar gave life to a masterpiece of contemporary atmospheric music. An album to listen to calmly, letting yourself be carried away by its evocative sounds. Great album!
My Version
Label: Kscope – KSCOPE1159
Format: Vinyl, LP, Album, Reissue
Country: Europe
Released: 24 Jun 2022
Tracklist
A1 Prebirth
A2 The New Beginning
A3 Out On A Limb
A4 Summerland
A5 Lunatic Soul
B6 Where The Darkness Is Deepest
B7 Near Life Experience
B8 Adrift
B9 The Final Truth
B10 Waiting For The Dawn
LineUp
Mariusz Duda: vocals, bass, acoustic guitar, kalimba, percussion and effects
Maciej Szelenbaum: piano, keyboards, flute, harmonica and other traditional instruments
Wawrzyniec Dramowicz (member of Indukti): drums and percussion
Michał Łapaj (Riverside keyboardist): Hammond organ and keyboards (only on tracks 5 and 9)
Maciej Meller (Quidam guitarist): EBow (only on track 8)
Anna Maria Buczek: additional vocals/whispers (on track 3)
Production shared between Duda and Robert Srzednicki.
Listening links on the main streaming platforms at the following links:
Spotify: you can play the full album on the dedicated page on Spotify - Lunatic Soul.
Apple Music: the record is available in digital format on Apple Music - Lunatic Soul.
Deezer: the discography and the first album are available in the artist’s catalog on Deezer - Lunatic Soul.







Note: All links to the musicians’ works are in the TAGS under the article title or on the "Artists"

